Seven days, a dozen games, aur ek bahut hi gusse wala debt collector sabke beech mein. Is hafte ki PC release slate ko headline kar raha hai Samson: A Tyndalston Story, jo Liquid Swords ka goon-punching, car-chasing brawler hai aur apne pehle trailer se hi GTA 4 se compare ho raha hai. Yeh April 8 ko aa raha hai, aur yeh akela nahi hai jiske taraf dhyan dena chahiye.
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Samson: Liquid Swords ne kya banaya hai
Samson ke peeche ka studio koi naya nahi hai. Christofer Sundberg, jo Just Cause series ke former director hain, Liquid Swords ko lead karte hain, aur un games ka DNA, khaas kar ke chaotic open-world physicality, Samson mein ab tak dikhai gayi har cheez mein nazar aata hai. Release date announcement ne April 8 ko PC launch date confirm kiya hai, aur studio ne yeh bhi clear kar diya hai ki package mein zero microtransactions hain.
Setting hai Tyndalston, ek rundown industrial town jismein woh grey, rain-soaked atmosphere hai jo GTA 4 ke Liberty City ne 2008 mein pakda tha. Aap ek aadmi ka role play karte hain jo street brawling aur high-speed car chases ke combination se debt se lad raha hai. Yeh subtle nahi hai, aur na hi yeh banne ki koshish kar raha hai. Developer ki apni release information ke according, game Unreal Engine 5 par built hai, jo explain karta hai ki trailers itne sharp kyun lag rahe hain, khaas kar ke jab yeh ek debut project hai.
Baat yeh hai: ek studio ka pehla release itni ambition ke saath, ek aise director ke saath jisne ek major publisher mein multiple open-world games ship kiye hain, woh exactly wohi cheez hai jise closely watch karna chahiye.
Samson: A Tyndalston Story exclusively PC par Steam ke through April 8 ko launch ho raha hai. Koi console release announce nahi hui hai.
Hafte ka baaki hissa, weirdness ke hisaab se ranked
Samson ko headline mil rahi hai, lekin aas paas ka hafta sach mein varied hai.
Road to Vostok early access mein April 7 ko aa raha hai. Ek former Finnish army officer dwara solo-developed, yeh players ko Finland aur Russia ke beech ek post-apocalyptic border zone mein looting, shooting, aur permanent death ke liye drop karta hai. Solo development context iske polish level ko trailers mein sach mein impressive banata hai.
Minos April 9 ko developer Artificer se aa raha hai, aur isne apne demo se pehle hi goodwill kama li hai. Premise: aap minotaur ki taraf se hain, lethal labyrinths build kar rahe hain taaki Greek adventurers problems create na kar sakein. Roguelike structure aur trap-placement mechanics ne demo period mein multiple outlets se positive attention draw kiya.
April 9 ko hi, Beneath Cloudvein ek deliberately retro RPG le kar aa raha hai ek missing dwarven mining expedition ke baare mein, aur Prop Sumo local party chaos offer karta hai jismein players random objects ban kar ek dusre ko dhakka dete hain.
Bow and Banister hafte ko April 10 ko sabse specific premise ke saath band karta hai: ek violinist jiske uncooperative limbs hain use ek raja ke liye perform karne ke liye ek staircase climb karni hogi. Yeh games jo bad movement ko player ke khilaaf weaponize karte hain, unke QWOP aur Baby Steps tradition mein firmly baithta hai.
Yeh hafta indie PC releases ke liye kya signal karta hai
Yahan spread notable hai. Industry veterans ka ek high-budget UE5 action game, ek solo-developed survival shooter, ek Greek myth roguelike, aur stairs ke baare mein ek physics comedy, yeh sab char din ke andar andar aa rahe hain. Yeh chote releases ke liye sach mein ek competitive slot hai, aur Samson ka profile bahut saari oxygen absorb karega.
Is tarah ke hafton mein zyada players kya miss karte hain woh yeh hai ki jo games headliner ke saath release hote hain woh aksar apna audience dhoondh hi lete hain, khaas kar ke jab unke paas demo traction ho. Minos ke paas pehle se hi aise players hain jinhe demo pasand aaya aur woh kharidne ka wait kar rahe hain. Road to Vostok ke paas ek niche lekin passionate survival audience hai. Staircase violinist inevitable clips generate karega. Zyada check karna na bhoolen:
